Speculum

Sunday, 16 November 2014

Shiina The Fox and The Shooting Star.

 A short story


Shiina was a fox like any other. And like most of them, she possessed magic and she could also change her shape according to her wish. Yet there was one thing in which she was different from her brethren: Shiina liked people and therefore chose to dwell among them, and she has been living so since many years ago. After she’d decided to forsake the green shadows of her birth forest, she went to live between the deep shadows of the city skyscrapers. She lived in an old little house that stood squeezed between two huge concrete blocks of flats and offices. As for her human form, she chose the likeness of a young woman. When she left her native land, first she tried to look like a young man; that she did not fancy for long, because things were expected from her she didn’t want to do, like fighting other young men. Then she looked like an old woman, but that meant her limbs were ought to be weak and her sight poor and her teeth made from plastic and she did not like that either. Finally she changed to a young woman of a homely face and a rather stocky body, who, while taking a walk or bringing home groceries from the nearby store, would stir about as much commotion as a golden autumn leaf floating in the air. In contrary to her short limbs she posessed long deft fingers, a smiling round face with a pointed chin, red cheeks, slightly slanted eyes of the colour of honey and merry eyebrows. The only vanity she allowed herself was a shoulder long mane of auburn red hair, which she liked to describe as spun golden illuminated by the red rays of the setting sun, although a poet or an artist could maybe label them as titian. Others simply called them ginger. In short, her appearance was in no way beautiful, but at least it was interesting.

Tuesday, 9 September 2014

Spln

 Poviedka

 
Mladá zdvihla hlavu a zavetrila. Korisť bola neďaleko a ešte nespozorovala prítomnosť vlkov. Vlčica vydala niekoľko krátkych štekavých zvukov, ledva nad hranicou počuteľnosti, aby upútala pozornosť ostatných členov loviacej svorky. Nastražila uši a opatrne sa približovala ku skupine sŕn. Pod huňatým kožuchom sa jej vlnili pružné svaly, srsť mala lesklú a hustú, sivastú s nádychom do pieskova. Mladá bola nádherný exemplár svojho druhu, mocná a dobre stavaná. Nohy mala dlhé, laby široké a isté. Ostrým zrakom sledovala korisť, nepoľavila ani na chvíľku. Toto bol jej druhý lov. Narodila sa len tohto roku v skorom lete a spolu s ďalšími vĺčatami – bratmi a sestrami – vyrastala pod ochranou svorky, a keď pokročilá jeseň pozvoľna prechádzala do zimy zmocnela natoľko, aby sa mohla zúčastniť lovu. Potlačila vzrušenie, ktoré jej ihralo telom a stavalo jej chlpy na zátylku a chvoste. Celú svoju pozornosť sústredila na pach koristi, ťažký a bohatý, doposiaľ nepoznačený strachom z nevyhnutného osudu. Vydávali ho teplé pulzujúce telá štíhlych sŕn s mladými, ktoré si hasili smäd pri lesnej rieke.

Friday, 4 July 2014

Loki Laufeyson 3. Myth vs. pop-culture: Popular media and literature



3. Loki and his image in the popular media and literature






In the third and final part of this article I’d like to take you on a journey into the more recent time times and in the present. We can skip forward a few centuries, because the Nordic Pantheon was quite neglected in late medieval times and early New age - at least outside Northern Europe. A revival came in 19th century in the form of German romanticism, when we witnessed an emergence of „national“ themes. Terms nation and folk-lore appeared in the vocabulary of the freshly formed scholars of folklore studies and linguists, who discovered the charms of non-classical languages (classic languages are classic latin and ancient Greek). In the whole Europe these scholars and enthusiasts started to collect folk tales and fairy-tales, of which we are perhaps most acquainted with The Brothers Grimm. In addition to their collections and their fixing fairytales in writing, they also engaged in German mythology, folk-lore and linguistic. They authored a volume of Deutschen Sagen (German tales) and a dictionary, among others. 
The first part of the article - mythology - is here
The second part of the article - loki as trickster - is here

Monday, 30 December 2013

Loki Laufeyson 3. Mýtus vs. popkultúra: Populárne médiá a literatúra





 3. Loki a jeho obraz v populárnych médiách a literatúre


Loki Laufeyson
 
V tretej časti eseje sa presunieme o pár storočí dopredu. Tento skok si môžeme dovoliť, pretože nordický panteón bol v neskorom stredoveku a novoveku pomerne zabudnutý- aspoň čo sa týka neseverskej Európy. Oživenie prišlo až v 19. st v podobe nemeckého romantizmu, kedy sa do popredia dostali „národné“ témy- a vôbec, národfolklór sa začali aplikovať vo vedeckej obci novo vzniknutých fokloristov a jazykovedcov, ktorí objavili čaro neklasických jazykov- t.j. nie latinčiny a starej gréčtiny. Po celej Európe sa začali zbierať ľudové povesti a rozprávky- nám sú najbližšie mená bratov Grimmovcov (a popr. nášho národovca, Pavla Dobšinského), ktorí okrem toho, že spísali rozprávky, venovali sa aj nemeckej lingvistike, foklóru a mytológii. Sú autormi diela Deutsche sagen (Nemecké povesti).


Prvú časť- Mytológiu- nájdete tuto
Druhú časť- Loki ako trickster- tuto

Monday, 2 December 2013

Night Rendez-vous (The Barney Chronicles) by Martin Petrovský





Chicago at night is wonderful. Among all the artificial lights I get the feeling, as if it was day here all the time. This was a pleasing fact considered that I haven´t seen the real sun since long. I roamed the city streets without any goal. I was unemployed, poor, homeless and most of the time drunk like a Russian after he got his pay check. This was the fault of the homies and their blood richly diluted by cheap alcohol, which besides tastes like piss. How do I know how it tastes? Don´t even ask. Another part of my life I am not proud of at all. All this got me to think – where did I make a mistake?

Wednesday, 10 July 2013

Loki Laufeyson 2. Myth vs. pop-culture: The Trickster




2. Loki as a trickster

When talking about Loki, the name trickster comes up several times. What does it mean exactly? True to his very entity, there is no uniform definition despite the fact, that you can find the figure of a trickster in almost every culture and religion (or at least figures which share several of its characteristics). According to some scholars a trickster is an archetypal figure, who is a primary stage of a type later developed into a culture hero. 
Loki and his children (by Audrey Koch)

(You can find the first part- mythology- here)

Loki Laufeyson 2. Mýtus vs. popkultúra: Trickster



2. Loki ako Trickster

V súvislosti s Lokim som už viackrát spomínala pojem trickster. Čo teda je? Ako vyplýva z jeho samotnej podstaty, jednotná definícia neexistuje, hoci postavu trickstera nájdete v takmer všetkých kultúrach a náboženstvách (alebo aspoň postavy, ktoré majú viacero takýchto charakteristík). Niektorí vedci tvrdia, že trickster je archetypálna figúra a prvotné štádium postavy, z ktorej sa neskôr vyvinie kultúrny hrdina. 
Loki a jeho deti (Audrey Koch)
(prvú časť- Mytológiu- nájdete tuto)